Giles Thomas

“Kate Hewitt’s incredibly slick revival”

“Hewitt’s production doesn’t underline the point but – reinforced by Georgia Lowe’s design with its videoed close-ups of Susan’s face – it focuses on the heroine’s disintegration.”

“It’s a striking play, powerful and angry but, as with much of Hare’s work, there remains something frustratingly fugitive at its heart. ”